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In part two of our series on continuous lighting for portraiture, we look at a few experiments to try, and what you should look for when buying. Read more
Fujifilm has teamed up with three Australian tourism bodies on a campaign that will turn trips taken by photographers and content creators into travel itineraries that can be booked by the public.
GoPro is set to take a significant step beyond consumer cameras, announcing plans to merge with privately held photonics company Starman Optical in a deal valued at US$285 million.
Hasselblad’s sales jumped 20 per cent in 2025, but the company’s latest financial results paint a more complicated picture of its growth.
Constant lighting is cooler, more affordable and increasingly shaping how photographers approach both stills and video. So, is this the time to try it?
Tilt-shift lenses might look like specialist tools, but they are actually some of the most practical and creative lenses a photographer can use. Here’s a crash course in why they matter.
The first thing you notice is the sound.
OM Digital Solutions has introduced the compact and oh-so retro PEN, a new Micro Four Thirds interchangeable-lens camera.
Nikon has announced a new range of cinema lenses aimed at professional productions and content creators.
Sony has added a new perspective to its full-frame E-mount system with the FE 8-14mm F3.5 Fisheye G, its first standalone fisheye lens for the mount.
Tasmanian Nick Green's decade-long project explores wilderness, solitude and the healing power of nature.
Fresh from exhibitions at the Australian National Maritime Museum and Lunar Studios, Sydney photographer Maddison Woollard is making waves in the challenging genre of underwater photography.
For nearly seventy years, photographer Mervyn Bishop has shaped our views of Aboriginal Australia. With a new book and exhibition on the horizon, he reflects on an extraordinary life behind the lens.
